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A celebration of
Benjamin Gish’s
remarkable
1727 cello.

Join Ben for three free concerts celebrating the instrument, its history, and the music it continues to make.

For more than four decades, cellist and teacher Ben Gish has performed, taught, and made music with a cello believed to have been made in Bologna in 1727. Join him for three free concerts celebrating the instrument, its history, and the music it continues to make.

Concert Series

All performances are free and open to the public at Walla Walla University’s Melvin K. West Fine Arts Center.

October 13, 2026 · 7 pm

Brahms
Cello Sonata No. 1 in E Minor, Op. 38

Aric Vyhmeister
“Navy Hymn” and “America” for cello and piano

Brahms
Trio in A Minor for clarinet, cello, and piano, Op. 114

Featuring Benjamin Gish, cello; Allison Field and Karlyn Bond, piano; and Ronald Coleman, clarinet.

February 20, 2027 · 7 pm

Schubert
“Trout” Quintet for piano, violin, viola, cello, and string bass

Tchaikovsky
Sextet for two violins, two violas, and two cellos

Additional performers and concert details to be announced.

May 2, 2027 · 2 pm

Piazzolla
Seasons, with Martin Chalifour

Brahms
Piano Quintet

Additional performers and concert details to be announced.

The Cello’s Story

Inside Ben’s cello is a label bearing the name Joannes Florenus Guidantus, the place Bononiae—Bologna—and the handwritten year 1727. No one has definitively authenticated its maker, but the instrument has an extraordinary history that Ben can trace through much of the past century.

Before it came to Ben, the cello belonged to his relative Charlie Boyd, who had inherited it from his own cello teacher. Charlie played it at church and community gatherings and kept a handmade, 40-drawer chest filled with music for piano trios. In 1983, he passed the cello—and its musical life—on to Ben.

The instrument has since accompanied Ben through decades of teaching and performance. It has also needed devoted care. In 1993, while Ben was teaching at Walla Walla Valley Academy, a falling stage wall sent a piece of wood into the cello, breaking a section of its top into hundreds of fragments. Ben collected the pieces in a box. Over the following weeks, luthier Armin Schlieps carefully fitted them back together, like a puzzle, until the cello could play again.

Ben calls it Methuselah. These concerts celebrate its survival, the people who have cared for it, and the music it continues to make.

If you have questions about the concerts, teaching, or performances, email info@bengish.com.